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As a 7th choice, Soon Over Babaluma is a great example of Can at their most subtle and atmospheric. The albums Tago Mago, Ege Bamyasi and Future Days are really where that parallel world in which Can were the foundation of modern popular music moves closest to our own. Tago Mago - Can at their most extreme. The sort of minimalist, noise-distorted, atmospheric, disco- and funk-influenced sounds Can had made their own would have sat very comfortably alongside the likes of Cabaret Voltaire, Pere Ubu and A Certain Ratio, and in tracks like A Spectacle and Safe, Can showed they were masters of that craft. Martin The movie Yesterday asks us to imagine a world without The Beatles. Soundtracks - Shows the band's transition from s rock into something more cosmic. Ege Bamyasi - The most accessible realisation of the Damo Suzuki era. The parallel world that lives under the influence of Can is sometimes tantalisingly close to our own, and yet their music pursues so many oblique detours that it mostly feels frustratingly just out of reach. Here are 6 albums that I think represent six interesting aspects of the band. In this sense, their self-titled album says a lot about Can. Can - Shows how even as the band were falling apart, they always avoided making anything that fit into a comfortable category. Some songs, like the closing She Brings the Rain, come across as quite familiar sounding s psychedelic rock and pop, and yet something else is brewing in the album too.

Can: Intruders from a Parallel World Ian F. Landed - A great example of Can's ability to mix pop, experimental and ambient approaches.

A different window into the transformational witchcraft that Can were working on s rock can be seen on the album Soundtracks, which collects some of their work for films. We may never fully be able to pass through that curtain between dimensions, but look in the corners, the shadows and the cracks in our world https://babymamashop.ru/2019/bonus-2019-casino.html idiosyncrasies can still take root, and there is something there: some trespasser from elsewhere, slipping white rabbit フリー スピン their awkwardly funky way between the lines we draw, making the white rabbit フリー スピン mutable, the real otherworldly and the otherworldly real.

ele-king October 19, PM ドイツの巨星、CAN読本の決定版！.

Unlimited Edition - Can at their most eclectic and experimental. They were musical movements uncomfortable in the world of rock music as conventionally understood. They stayed ahead of the curve too. On the album Delay , you can hear warped, Beefheartian echoes of blues rock in Little Star of Bethlehem, while Nineteenth Century Man is based around a tortured take on the same rhythmical motif The Beatles themselves had mined on Taxman a couple of years previously.